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The two most common drywall thicknesses for ceilings are 1/2-inch and 5/8-inch. For most standard residential applications, 1/2-inch drywall is sufficient and widely used. It provides adequate support and is lighter and easier to handle during installation compared to thicker sheets. However, 5/8-inch drywall is often used for specific cases where additional benefits are needed. It is heavier but provides superior sound dampening and fire resistance. You should consider using 5/8-inch drywall for ceilings in commercial buildings, between a garage and a living space, or above a finished basement to meet building codes or for enhanced soundproofing.

Plastering and skimming are two different techniques for finishing walls. Plastering involves applying a thick layer of a plaster mixture—typically containing gypsum, lime, cement, sand, and water—to create a new surface. This process often requires multiple coats and is used for repairing significant damage or creating decorative textures. Skimming, on the other hand, is a technique that involves applying a thin layer of drywall compound or joint compound over an existing surface to smooth it out, covering minor imperfections, small cracks, or uneven textures for a polished look. Plastering is generally more costly and labor-intensive than skimming. Although some people use the terms interchangeably, they refer to different processes and materials.

Drywall mudding can be done in one day if the project is small and the desired effect isn’t too complex. If you need multiple layers of mud, one day may not be realistic. But a single room that requires little more than joint compound on the seams and screws can be done in a day or two.

Wet-sanding and dry-sanding each have pros and cons. Dry-sanding is less messy, so it’s a good option if you’re trying to minimize dust (for example, if you’re sanding an occupied home or working with particularly dry or dusty drywall mud). However, dry-sanding is quicker because you don’t have to keep rinsing a sponge or wait for it to dry before painting.